Showing posts with label B.Marcus Priteca. Show all posts
Showing posts with label B.Marcus Priteca. Show all posts

Wednesday, August 13, 2014

B. Marcus "Benny" Priteca

This is B. Marcus "Benny" Priteca - the man who designed many theatres around town, including the Pantages Theatre on Hastings (now demolished) and the Orpheum theatre.

Like I did for Monday's entry, I am showing you new photos of the interior of the Orpheum theatre and posting an older entry. This one is from May 2012 and was originally titled An Entertainment Architect.

B. Marcus "Benny" Priteca was born in Glascow, Scotland on December 23, 1889. Why is this important to Vancouverites? Because by the age of 20, Priteca had become an architect and he received a travelling scholarship to study architecture in United States. It was in Seattle that the young artist met a Greek by the name of Alexander Pantages.

Pantages was frustrated because he couldn't seem to get any adequate designs for a new theatre he wanted built. The 21-year-old architect thrilled the Greek and he was commissioned to build a theatre in San Francisco. The finished theatre pleased Pantages that he hired Priteca to design all his theatres from then on. This business relationship lasted 18 years.




Now here is something interesting that I was not aware of. Priteca designed a Pantages theatre that work had begun on in 1914. Due to World War I, it wasn't completed until 1918. This theatre was at 20 West Hastings Street and was demolished in 1967 to build a parking lot. The Pantages theatre that has recently been demolished, that was the oldest vaudeville house in Canada, was built in 1907.

The Pantages organization became the largest privately owned vaudeville circuit in the world and Priteca was part of that. His design for the 1917 Pantages theatre here was apparently considered to be the 'most richly embellished and efficient theatre of the Pantages chain at the time. It was a 1,800 seat theatre, that was later called the Majestic, the Beacon and finally the Odeon Hastings.

In case you are wondering, the architect for the 1907 Pantages theatre was Edward Evans Blackmore.

Priteca could go overboard with his embellishments. Like when he designed the Coliseum Theatre at Fifth and Pike in Seattle. It had fountains by the orchestra pit and birdcages in the walls of the upper foyer that were home to thirty canaries as well as a nursery and playroom with miniature furniture.



The Coliseum opened January 8, 1916 and is thought to have been the first theatre in the world that had an orchestra to accompany the silent films of the era. The theatre had one of the largest theatre organs and was the first to have an elevator. Tony Heinsbergen was the person responsible for the decorative elements and he brought the same flare to our Orpheum theatre when it was designed by Priteca.

And this spectacular building can still be seen today. Now it is home to a Banana Republic clothing store.

Priteca had become one of the leading architects in the American Northwest. He had designed theatres in Memphis, Salt Lake City, Kansas City and Fort Worth. His designs also included Seattle schools, commercial buildings, homes and synagogues. One of Priteca's parents was Jewish and he is reported to have joked that he was one of the few Jews in North America entitled to wear a kilt.

Priteca also designed the Longacres Racetrack in Auburn and there used to be a race called the Priteca Handicap race. Unfortunately, that racetrack is long gone.

But racetracks and buildings weren't the only things that Priteca designed. He was also responsible for the design for a body of a locomobile car and for the raked grill and windshield for the Paige, forerunner of the Graham-Paige automobile.



Time and progress have taken away many of Priteca's creations but one very important one remains in Vancouver - the Orpheum Theatre. 

Thank you to the website The History of Metropolitan Vancouver for supplying most of the information. I did consult Wikipedia as well.

I hope you find the beauty around you.




This organ is a Wurlitzer and was installed when the theatre was built. It is on hydraulics so it can be raised. During intermission when everyone is in the washroom, it lowers due to the decreased water but raises once again after everyone is finished.

Monday, August 11, 2014

The Orpheum Revisited




On Saturday, my mother and I went on a tour of the Orpheum theatre and I got lots of photos. So I am going to rerun some of my earlier entries on the Orpheum theatre with the new images. Enjoy.

Founded in 1886, the Orpheum Circuit was a string of vaudeville and movie theatres in North America. Vaudeville impresario Gustav Walter started the circuit.  Walter opened a 3500 seat Orpheum Opera House in San Francisco that proved to be quite popular and successful.

Walter opened more Orpheums in Sacramento and Los Angeles but soon became financially overextended. He sold the popular theatres to Morris Meyerfield in order to cover a $50,000 liquor bill.

Meyefield hired Martin Beck to manage the theatres. Beck expanded the chain further. On December 22, 1919, the Orpheum Circuit was incorporated in Delaware.



In 1927, the Orpheum Circuit merged with the Keith-Albee theatre chain to become Keith-Albee-Orpheum (KAO) and the year after that it merged with an FBO film company under the aegis RCA. Now we had Radio-Keith-Orpheum, RKO. RKO consisted of the theatre chain and a film studio, Radio Pictures that was to become one of the major Hollywood studios in the 1930s and 1940s.

This brings us to Vancouver's Orpheum Theatre on Granville Street. It was designed by B. Marcus Priteca and Frederick J. Peters. It was financed by local entrepreneur Joseph F. Langer.

This Orpheum - our second - was built in 1927 and cost 1.25 million dollars.

With three thousand seats, our Orpheum was the biggest theatre in Canada when it opened. It must have been so exciting for the first manager William A. Barnes. Such prestige.

However, by the early 1930s, vaudeville's heyday was at an end and the Orpheum became primarily a movie house although live shows were featured occasionally. The grand theatre was under the ownership of Famous Players.



In  1973 Vancouerites were called to action when Famous Players proposed gutting the ornate interior and changing this beauty into a multiplex. A 'Save the Orpheum' campaign began and Jack Benny even flew into Vancouver to show his support.

The City of Vancouver, in combination with the provincial and federal government, purchased the theatre on March 19, 1974.

November 1975 saw the Orpheum close while the architectural firm Thomson, Berwick, Pratt and Partners did the renovation and restoration. Tony Heinsbergen, who you may remember from Monday's entry, was the man who worked with Priteca on the interior design, was brought in to help with the restoration. The interior is apparently gorgeous but I have never seen it.

Since the Orpheum has reopened in 1977 it has been the permanent home of the Vancouver Symphony Orchestra and in 1979 the federal government deemed the building to be a National Historic Site of Canada. Jim Pattison donated the neon sign in the 1970s.

Of course, since Vancouver is a place that is used often for the filming of movies and TV shows, the Orpheum and its neon sign have been used in a few shows such as Battlestar Galactica and The Fringe.


A few Orpheum theatres around North America that are still operating. In New York City, East Village a 1904 Orpheum Theatre is still open. Boston has a 1906 building; a 1911 one in Los Angeles; another 1911 in Flagstaff, Arizona'; one built in 1918 in New Orleans (I don't know if that survived Hurricane Katrina though, my information may be outdated); built in 1921 in Minneapolis, Minnesota; 1922 in Wichita, Kansas; there are 1926 versions in Los Angeles, Madison, Wisconsin, and San Francisco; those theatres built in 1927 include Vancouver, Omaha, Nebraska and Sioux City, Iowa; a 1928 version in Memphis and a 1929 theatre in Phoenix.

Thanks to Wikipedia for the above information. And to the historical plaque outside the Orpheum Theatre on Granville Street.

This entry was originally published on May 9, 2012. I will have more entries with interior photos this week.



I hope you find the beauty around you.


Monday, May 7, 2012

An Entertainment Architect

B. Marcus "Benny" Priteca was born in Glascow, Scotland on December 23, 1889. Why is this important to Vancouverites? Because by the age of 20, Priteca had become an architect and he received a travelling scholarship to study architecture in United States. It was in Seattle that the young artist met a Greek by the name of Alexander Pantages.

Pantages was frustrated because he couldn't seem to get any adequate designs for a new theatre he wanted built. The 21-year-old architect thrilled the Greek and he was commissioned to build a theatre in San Francisco. The finished theatre pleased Pantages that he hired Priteca to design all his theatres from then on. This business relationship lasted 18 years.

Now here is something interesting that I was not aware of. Priteca designed a Pantages theatre that work had begun on in 1914. Due to World War I, it wasn't completed until 1918. This theatre was at 20 West Hastings Street and was demolished in 1967 to build a parking lot. The Pantages theatre that has recently been demolished, that was the oldest vaudeville house in Canada, was built in 1907.

The Pantages organization became the largest privately owned vaudeville circuit in the world and Priteca was part of that. His design for the 1917 Pantages theatre here was apparently considered to be the 'most richly embellished and efficient theatre of the Pantages chain at the time. It was a 1,800 seat theatre, that was later called the Majestic, the Beacon and finally the Odeon Hastings.

In case you are wondering, the architect for the 1907 Pantages theatre was Edward Evans Blackmore.

Priteca could go overboard with his embellishments. Like when he designed the Coliseum Theatre at Fifth and Pike in Seattle. It had fountains by the orchestra pit and birdcages in the walls of the upper foyer that were home to thirty canaries as well as a nursery and playroom with miniature furniture.

The Coliseum opened January 8, 1916 and is thought to have been the first theatre in the world that had an orchestra to accompany the silent films of the era. The theatre had one of the largest theatre organs and was the first to have an elevator. Tony Heinsbergen was the person responsible for the decorative elements and he brought the same flare to our Orpheum theatre when it was designed by Priteca.

And this spectacular building can still be seen today. Now it is home to a Banana Republic clothing store.

Priteca had become one of the leading architects in the American Northwest. He had designed theatres in Memphis, Salt Lake City, Kansas City and Fort Worth. His designs also included Seattle schools, commercial buildings, homes and synagogues. One of Priteca's parents was Jewish and he is reported to have joked that he was one of the few Jews in North America entitled to wear a kilt.

Priteca also designed the Longacres Racetrack in Auburn and there used to be a race called the Priteca Handicap race. Unfortunately, that racetrack is long gone.

But racetracks and buildings weren't the only things that Priteca designed. He was also responsible for the design for a body of a locomobile car and for the raked grill and windshield for the Paige, forerunner of the Graham-Paige automobile.

Time and progress have taken away many of Priteca's creations but one very important one remains in Vancouver - the Orpheum Theatre. On Wednesday, I will be looking at that beautiful structure and telling you about it.

Thank you to the website The History of Metropolitan Vancouver for supplying most of the information. I did consult Wikipedia as well.

I hope you find the beauty around you.

, , , , , ,